![]() Mirage was originally released as Warner Bros. Fleetwood Mac retreated from the insular strangeness of Tusk and returned to straightforward pop songcraft for Mirage. LP track durations as printed on the LP label. All track durations listed on this submission are taken from CD player display. Tracks CD2-1 to CD2-13, CD2-15 and CD2-18 to CD2-20 are previously unreleased.įor all CDs and for the DVD no track durations are printed on this release. During the summer of 1982, Mirage topped the album chart and added to the band's already impressive canon of hits with 'Hold Me,' 'Love In Store' and 'Gypsy. Peel-off 12"x12" backing paper containing track listing.Īll housed in a 12"x12", solid, card sleeve. 2016 Remaster Fleetwood Mac's streak of five consecutive multi-platinum albums began in the '70s and continued in 1982 with Mirage, the follow-up to the band's 1979 double-album, Tusk. Fleetwood Macs streak of five consecutive multi-platinum albums began in the 70s and continued in 1982 with MIRAGE. Soft-back 12"x12" book, containing pictures and notes on Mirage, written by various members of the band, Supervised By – Jason Day, Kate Dear, Tim Fraser-Hardingĭisc 4: DVD - 5.1 Surround-Sound-Audio edition of the Mirage album and Hi-Res-Audio edition of the Mirage album,ĭisc 5: 180g Vinyl LP - original album, remastered.Reissue Producer – Bill Inglot, Steve Woolard.Producer – Fleetwood Mac, Ken Caillat, Lindsey Buckingham, Richard Dashut.Mixed By – Ken Caillat, Marc Daniel Nelson About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features Press Copyright Contact us Creators. For its part, Mirage sounds as if its sole goal is to sustain Fleetwood Mac's popularity, and while there may be a handful of terrific songs - notably the hit singles 'Gypsy,' 'Love in Store,' and 'Hold Me' - it simply isn't as compelling as the group's previous three albums.Guitar, Vocals, Keyboards – Lindsey Buckingham.Engineer – Carla Frederick, David Bianco, Dennis Mays, Sabrina Buchanek Mirage: released in June 1982,saw Fleetwood mac getting back to the basics of being a mor/aor rock and pop band (shoving them into a niche little box there).Art Direction, Design, Design Concept – Larry Vigon.In the wake of Buckingham’s departure in 2018, the group enlisted Crowded House singer Neil Finn and Tom Petty sideman Mike Campbell-big-name replacements that prove, after 50 years of smash hits and broken relationships, Fleetwood Mac still won’t stop thinking about tomorrow. And even as more streamlined ‘80s efforts like Mirage and Tango in the Night reasserted their pop panache, Fleetwood Mac have remained a cauldron of drama and intra-band acrimony, the principal members seemingly coming and going without warning. On 1977’s Rumours, Fleetwood Mac dressed up the bitterest break-up songs in the smoothest, sultriest arrangements to the tune of over 40 million copies sold the album’s appeal is so universal that it’s been both cited by Courtney Love as an influence and used to soundtrack Bill Clinton’s presidential campaign.īut the band were eager to play against pop-star type-1979’s double-album colossus Tusk betrayed Buckingham’s affinity for post-punk, and though it was deemed a commercial disappointment at the time, it has since been embraced as a cult classic by discerning indie rockers. But Nicks’ star turns on “Rhiannon” and “Landslide” revealed a darker mystique at the core of their easy-breezy sound and, as sudden success caused the long-term relationships within the band to disintegrate, their next release effectively invented a new genre: rock album as couples therapy. After a relocation to L.A., they welcomed singer/songwriter Lindsey Buckingham and his musical/romantic partner Stevie Nicks into the fold, heralding Fleetwood Mac’s transition into soft-rock hitmakers on their 1975 self-titled effort. Since the band’s formation in London in 1967, drummer Mick Fleetwood and bassist John McVie have served as both the rhythmic and spiritual anchors for a group that has hosted a revolving-door procession of outsized personalities, starting with Peter Green, the budding guitar god responsible for early hits like “Black Magic Woman” (famously covered by Santana) and the tranquil instrumental “Albatross” (which The Beatles admittedly aped on their Abbey Road track “Sun King”).Īfter Green quit in 1970, the band cycled through different frontmen-Danny Kirwan and Bob Welch among them-while their keyboardist, McVie’s wife Christine, emerged as a female vocal foil. Tension can be a great motivator for a band, and no group has put that maxim to the test quite like Fleetwood Mac, a ’60s British blues-rock outfit that-through a series of lineup changes, stylistic shifts, and rocky internal romances-became the paragons of ‘70s Californian pop.
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